Between the late 1970s and the early 1980s the relationship established by the system of industrial design with experimental fashion was strengthened in Italy. Cinzia Ruggeri is portrayed by Occhiomagico in her studio, where she has recreated "a hypothetical home" with "objects from her domestic memory," including the Ultrafragola mirror, designed by Ettore Sottsass for Poltronova in 1970. Breakfast (or lunch or dinner) at Tiffany’s, with a whole new look."Camere incantate" (Enchanted Rooms) is the title of a feature that appeared in the May 1983 issue of Domus. The new collection arrives in concert with the LVMH-led renovation of Tiffany’s historic 5th Avenue flagship, set to reopen in late April, where visitors can dine at the revamped Blue Box Café. Though it was first released in 1994, Santo Domingo has freshly rendered the design in powdery hues inspired by the semi-precious stones made popular by Louis Comfort Tiffany, son of founder Charles Lewis Tiffany. Notably, a more casual porcelain pattern that features a toile of New York vignettes-Washington Square Park’s Arch, Rockefeller Center’s Atlas statue. will have plenty of new styles to add to their china cabinets. Silverware is a category Santo Domingo will turn her attention to eventually, but in the meantime, patrons of Tiffany & Co. There are also linen napkins and placemats in a variety of shapes and sizes Santo Domingo subscribes to the belief (“I think I made it up” ) that a round table must be set with rounds placemats (oval for oval, rectangle for rectangles, etc.) so, naturally, she’s accommodated them all. In addition to these perfect-pour drinking vessels-which come in a fluted, gold-rimmed, or delightfully simple stems for every day-are colorful Murano tumblers and goblets. (“Not only do I like to entertain and set a nice table, I also, quite luckily, am invited out a lot.”) “Rumor is that you can squeeze that as hard as you want, and it won’t shatter,” she says, revealing the spark she brings to her famous dinner parties. seals on the backs of every dollar bill were designed by the company, too.) Dressed in a black satin maxi skirt, sleeveless turtleneck, and croc-effect boots, she handles a whisper-thin drinking glass crafted by the storied Austrian house of Lobmeyer and featuring a spray of purple-blue wisteria inspired by Tiffany’s Art Nouveau lamps. It was, in fact, Napoleon III’s wife, Eugénie de Montijo, who inspired the robin’s egg hue in the 1970s, Elsa Peretti reenergized the house with her sumptuously simplistic silver and Paloma Picasso’s heart-shaped jewelry in the 2000s introduced a whole new set to the century-plus-year-old establishment. The latest to join the ranks? Lauren Santo Domingo, who was just announced artistic director of Tiffany Home.Īt Tiffany & Co.’s 5th Avenue headquarters, just off of Manhattan’s Union Square, Santo Domingo walks me through her debut collection-heavily inspired by the house’s archival trove, which spans magnificent silverworks, novel diamond settings, and stained glass lamps. But just as influential, perhaps, is a long line of extraordinary women who have left their impression on the company. Tiffany’s blue has long been the brand’s hallmark.
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